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All Quilts Freeform — Tin
An improv-style quilt, in tans, gray, and red, draped across a bed in a gently sunlit room. Image 1 of 5
An improv-style quilt, in tans, gray, and red, draped across a bed in a gently sunlit room.
Tin-colorblock-quilt-freeform-improv.jpeg Image 2 of 5
Tin-colorblock-quilt-freeform-improv.jpeg
Close up of the subtle white quilted grid, set into the tan patchwork of the quilt top. Image 3 of 5
Close up of the subtle white quilted grid, set into the tan patchwork of the quilt top.
A side angle of the quilt, hanging, the light catching the quilted grid and showing lots of crinkly texture along the cotton and linen patchwork Image 4 of 5
A side angle of the quilt, hanging, the light catching the quilted grid and showing lots of crinkly texture along the cotton and linen patchwork
The back of the quilt, hanging straight. Improv-style patchwork composition, made of large rectangular pieces of fabric, in tans, medium gray, and burgundy red. Image 5 of 5
The back of the quilt, hanging straight. Improv-style patchwork composition, made of large rectangular pieces of fabric, in tans, medium gray, and burgundy red.
An improv-style quilt, in tans, gray, and red, draped across a bed in a gently sunlit room.
Tin-colorblock-quilt-freeform-improv.jpeg
Close up of the subtle white quilted grid, set into the tan patchwork of the quilt top.
A side angle of the quilt, hanging, the light catching the quilted grid and showing lots of crinkly texture along the cotton and linen patchwork
The back of the quilt, hanging straight. Improv-style patchwork composition, made of large rectangular pieces of fabric, in tans, medium gray, and burgundy red.

Freeform — Tin

$0.00
Unavailable

Quilt Details

2023
Cotton, linen
61 x 72 inches

Process

A very large throw, using big freeform pieces of fabric. With this commission, which I sketched, but was otherwise improvisational, I was given the challenge of using scissors freehand, instead of quilting rulers and a rotary cutter. It gives the quilt a more handcrafted, less precise personality. I wanted the quilt to have more drape than my usual quilts do, so I used a combination of cottons and a heftier unbleached, undyed linen-cotton blend.

I couldn’t find a back I liked for this quilt, and I had extra fabric, so I made the back side the same way I made the front. It’s nice to make a double sided quilt, and feels right.

Machine pieced and quilted, hand-finished binding.
Machine quilted in a 2” grid.

Add To Cart

Quilt Details

2023
Cotton, linen
61 x 72 inches

Process

A very large throw, using big freeform pieces of fabric. With this commission, which I sketched, but was otherwise improvisational, I was given the challenge of using scissors freehand, instead of quilting rulers and a rotary cutter. It gives the quilt a more handcrafted, less precise personality. I wanted the quilt to have more drape than my usual quilts do, so I used a combination of cottons and a heftier unbleached, undyed linen-cotton blend.

I couldn’t find a back I liked for this quilt, and I had extra fabric, so I made the back side the same way I made the front. It’s nice to make a double sided quilt, and feels right.

Machine pieced and quilted, hand-finished binding.
Machine quilted in a 2” grid.

Quilt Details

2023
Cotton, linen
61 x 72 inches

Process

A very large throw, using big freeform pieces of fabric. With this commission, which I sketched, but was otherwise improvisational, I was given the challenge of using scissors freehand, instead of quilting rulers and a rotary cutter. It gives the quilt a more handcrafted, less precise personality. I wanted the quilt to have more drape than my usual quilts do, so I used a combination of cottons and a heftier unbleached, undyed linen-cotton blend.

I couldn’t find a back I liked for this quilt, and I had extra fabric, so I made the back side the same way I made the front. It’s nice to make a double sided quilt, and feels right.

Machine pieced and quilted, hand-finished binding.
Machine quilted in a 2” grid.

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